Between Thunder and Wood — Entry #039

Entry #039 Date December 28, 2023
Between Thunder and Wood — journal photograph from Entry #039 of The Dead Journal by Thomas Hale

Entry #39
March 3, 2024 — 5:15 PM

The storm came in around four, a flat gray wall that erased the far trees and turned the road to a moving mirror. The gutters choked almost immediately. The house took it like a body squared to a shove—planks tightening, windows flexing in their frames. I set my tools down and listened.

First were the sounds I could name. The north gutter rattled on its loose bracket: a tinny, skipping knock that kept tempo with each blast. The downspout gurgled hard, then coughed as leaves wedged and let go. Slate pinged once or twice under hail like hot metal cooling. In the east room, a warped sash sucked and exhaled, the ropes of the window weights thudding in the channel when wind pressed, then backed off. These ran with the weather. When thunder rolled, the house seemed to lean with it.

Other noises threaded in. A heavier thump came from above the stairwell every few minutes, not the sharp slap of a vent flap but something with weight and drag, as if a rug corner took a slow breath. The stair treads broadcast it down, each board passing it along. I stepped into the hall and let the skin of the banister cool my palm. Rain smell had pushed inside: wet iron, old plaster like a paper bag gone damp.

I started a map in my head. NW eave: gutter. East dormer: sash ropes. Center hall: a flutter, maybe the return vent buzzing against its frame. The front parlor wall ticked where a nail head cooled after a lightning flash I didn’t see, only felt as a thin white taste in the air. The knocks that marched with gusts were easy. Count the wind, count the knocks.

What did not count: in the lull between booms, a three-beat tap from the cellar door. Not wood on wood exactly. More like bone on a hollow table. I stood at the “cellar mouth,” as I’ve been calling it since last week, and put my ear to the seam. The rhythm kept steady while the rain surged and sagged. I checked the light switch I still haven’t wired there, then used the battery lantern out of habit. I didn’t open the door. I just timed the taps with my watch. They ignored the weather.

Upstairs, at the landing, that dragging sound again, a line pulled across unseen joists. The attic hatch trembled on a long breath and settled. I could feel a cool draw around its edges. A seam in the paint has a pair of faint scratches—SE?—I only noticed because water found them and darkened the letters. Another gust, and the house answered properly—gutter clatter, downspout cough, sash weight. Then nothing outside but rain, and over my head: the long, patient scrape, traveling from the attic’s west side toward the stair head. I followed it along the hall, step by step, the floor answering my weight with its known notes. It stopped where the ceiling dips over the top riser and left a chill pooling there, as if the storm had blown a pocket of night into the plaster.

Back below, the cellar tap paused as I reached the bottom stair, then resumed, same interval. I put my hand flat to the door. The wood was colder than the banister, and there was a thread of vibration under the grain I could not match to any gust.

The thunder moved east and left the rain steady and dull. The easy noises softened. That’s when the house found its volume. The hatch quivered longer. The scrape took its time. The cellar tick kept time to something I couldn’t hear. The house was loudest after the thunder moved away.

— Thomas Hale